Van Duysens collection of pots for when objects work is an exercise in restrained theme and variation. Powerful though each piece is in isolation, the collection is conceived as an entity: an evocation of the shelves of stacked vessels in a potters studio. Read as a series, the differences of scale and colour create powerful rhythms and modulations expressed in the subtle but intense palette of a northern European sky. Each piece is composed of two elements: an earthenware container and a wooden plate. Whilst the angle of the curve and the smooth profile of each pot are fixed, the diameter and the height of the vessels vary, these shifts in scale determining whether the container frames is a bowl or a platter. The thickness of the wooden plate which serves as both cover and plinth is also variable. Serene and sober, these pots have the abstract quality of the archetypal, but they have been pulled from abstraction into the world of physical forms, into things you want to touch and to hold. A certain material roughness is critical to their character - the slight irregularities in the surface of the clay and the soft, weathered grain of the wood. However great their sense of presence as pure objects, these are vessels which are designed to be used - to contain or conceal. Van Duysen cites Giorgio morandis paintings as a source of inspiration for the collection. Morandi only painted bottles and jugs all his life. In these pictures he said more about life, about real life, than there is in all the colourful pictures around us observed the writer Horst Bienek.